I recently talked to a writer
who claimed that she simply started with a blank page and an idea for a
character and began writing to see where the story would take her. She seemed
amazed that I put so much work—premise statement, outline, character profiles—in
before I ever write the first sentence. I’m not saying one way is better than
another, but I do think there are some basic questions that need answering
before a writer plows into chapter one. Below is what I consider bare minimum
to flush out a story idea.
1.
Who is the protagonist?
2.
What is his clear and tangible external goal? You must
be specific about this so that the reader will know whether or not the
protagonist accomplishes his goal.
3.
What does the protagonist stand to lose if he doesn’t
accomplish his goal and is it primal enough for the audience to care about the
outcome? Here are some primal goals:
a.
Safety –
shelter, sustenance, financial security and even life or death
b.
Reproduction
– finding a mate, becoming pregnant or making someone pregnant (or adopting),
protecting the children that you already have
c.
Identity –
finding out who you are or how you became the way that you are, confirming your
sanity or lack thereof
4.
What
internal flaw or problem would make it particularly difficult for the
protagonist to accomplish his external goal?
5.
What would
a person be like who has the worst possible version of that internal flaw? This
is your antagonist.
6.
What is the
worst thing that the antagonist could do to stop the protagonist from accomplishing
his goal? Can it involve exposing the protagonist’s internal problem or a
secret the protagonist has kept hidden? Whatever this “worst thing” is, it will
be the second plot point at the end of act two.
7.
What skill
does the protagonist have that can help him accomplish his goal?
8.
What job
and environment would both take advantage of that skill and also help the
protagonist to avoid confronting his internal problem? This is the setup that
should go in the first 10% of the story.
9.
What two
things could happen to the protagonist to jolt him out of this comfortable
environment and force him to begin pursuing his external goal? These are the
catalysts at 10% and 17%.
10. What event could occur that would force the
protagonist to step outside of his comfort zone and begin to pursue his
external goal? This is plot point one at the 25% point of your story.
11. What event would raise the stakes enough to force the
protagonist to commit 100% to accomplishing his external goal? This is the
mid-point.
12. Should the protagonist overcome his internal problem
or not? Should the protagonist accomplish his external goal or not? What external
forces are working against him to keep him from accomplishing his goal? This
will be the resolution of your story.
2 comments:
All very sensible and probably why you are far more successful than me. I'm the one who never planned their essays in exams and I can't plan stories. I'm of the sit down with a blank sheet and see where the story takes me. Maybe it's the difference between a writer and a storyteller.
I really enjoyed your list. Thank you!!
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