This is a topic I’ve been churning over for months. You see, I’ve written five novels and two screenplays all by my lonesome, with little or no input from anyone else. But a few months ago I teamed up with a writing partner, Ed, to write a new screenplay. Collaborating on a story has been an interesting experience, both rewarding and frustrating.
The idea for the story was purely mine. I approached Ed to work with me on it because he has a great deal of knowledge about how to best structure a script, and how to structure each scene. He is good at structure; I’m good at creating a compelling story. It seemed like a match made in heaven, but the results have been mixed.
So over the past few months, we’ve created character profiles, a theme statement, a log line, a high level outline, plot points, and thirty pages of script. (about 25% of a full script). He has now focused on completing a medium level outline while I am pounding out the script itself.
The work has moved along at a slower pace than I’m used to, but I’m ok with that because the script is reading really good so far, and I’m sure it will take much less rewriting than I’m used to. And I must say that his input into the story, the structure, and the script have made it a better read than I would have done by this stage in the project. Bottom line: it’s a much better work because of our collaboration.
So where is the rub? I’ll tell you. Because I must respect and allow his input into the story, it has changed from what I originally had intended. That’s not a bad thing, because it is a better story. The problem is, that I’m not nearly as motivated to write this new story, simply because it is no longer my story. I don’t have the same passion for it. Hence, I’ve been avoiding working on it, and it feels like work, not something I do for pleasure.
The upside is, I’m learning tons about structuring a script, not to mention that the script is very good. But I’m losing interest in it day by day. I’ve already begun another script that will be purely mine.
So, when selecting a writing partner, I have two suggestions. First, be sure that you’re willing to write someone else’s story, because it won’t be totally your own once you take on a partner. Second, choose someone that will complement your weaknesses, someone you can learn from. That way, even if you don’t finish the project, you will become a better writer.
Little Vin at Dreamland by Edward Patterson
1 month ago