My career as a writer had been occupied in writing about characters who don’t fit into the social patterns. Most of my protagonists are gay men, but not all. These characters are very varied; some don’t fit in because of sheer defiance, some because they are terrified of society, some are simply scandalous. There are some, however, who have such a high degree of integrity that they don’t fit in anywhere in a world tainted by corruption.
The one thing they all have in common is that they are outsiders. They have many voices, and all sing, some loudly and some whisper, against the social norms. They are people who have few friends, yet value absolute loyalty to the personal relationships they find; they cling to those relationships as the plot darkens and they must fight to save themselves and the people that matter to them.
E.M. Forster once said: “If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.” This, I believe goes to the heart of my outsider characters that I try to create. I’ve always regarded loyalty to friends and loved ones as going beyond admirable to heroic. It represents the best qualities of the outsider.
I write about outsiders because I believe the outsider is, should be, really, one of the most socially valuable people in the whole community. Because he/she often, more often than not, challenges the social norms, doing what he/she thinks is right, rather than what’s accepted or easy.
Admittedly, I’ve always felt myself to be an outsider, and not by choice. So that by creating these characters, I’m questioning my own experience, what I am and what I am becoming. I create these characters and plots to find out if there’s meaning in the external world for me, and then, I suppose, if I decide that there isn’t, to impose a meaning of my own.